In addition to in the 1970, inside Wroclaw, one of the most essential events of your Shine conceptualism grabbed place: brand new Wroclaw ’70 Fine Arts Symposium, organised in order to commemorate the twenty-five th anniversary regarding joining the new Retrieved and Northern Regions to Poland – but in truth it was a reason to collect tens of this new Shine abstract and you will neo-avant-garde music artists. Into the knowledge he shown their vision of the Graphic Lookup Hub (ARC), discussing it as a business each of search characteristics, and at the same time exciting ways invention (as an alternative getting Arc can be seen the Artwork Documentation Heart, built when you look at the 1972 and closed merely a year later). During the 1971 Ludwinski also been able to manage (in addition to Antoni Dzieduszycki and Jan Chwalczyk) an outdoor workshop Ziemia Zgorzelecka “Art and research undergoing securing peoples environment”. It absolutely was a phrase regarding environmental understanding of one’s abstract designers and you may theoreticians. not, the same season Ludwinki resigned out of powering the Lower than Mona Lisa Gallery, which was an effect of a dispute on the IPBC’s bodies.
After transferring to Torun from inside the 1975 Ludwinski started to manage a gallery Punkt (inside the 1976-1978). He nevertheless took part in brand new artistic lifetime, visiting certain conventions, symposiums, and outdoor courses. It is worthy of mentioning i.age. the fresh new Worldwide Meetings out-of Writers and singers, Researchers, and you will Art Theoreticians inside Osieki or perhaps the biennale Fantastic Stack inside Zielona Gora. Given that 1982 he tought throughout the County Higher University to own Great Arts into the Poznan, and also for the remainder of his lives he centered on the newest didactics. He had been a member of this new Gloss area of the Globally Relationship away from Artwork Critics AICA and you can a persistent promoter off artwork on press, broadcast, and tv.
Ludwinski strongly led to moving forward the eye of an imaginative target towards the „artistic process”; he wanted a discussion of your performers, experts, curators, and you may listeners, planning to democratise and you can decentralise the latest art industry. The guy opposed new exclusiveness off ways while the pomp that comes with it; the guy provoked confrontations and polemic. Ludwinski have not authored an entire publication (there are only posts, cards, diagrams, and you may papers), as he is rather a man regarding a spoken term, from discussion and you can dialogue. But not, their impact on the changes in ways of your sixties and you can the new seventies was invaluable. His somewhat hippie lives and you may remaining in the latest peripheries of the ways job (absolutely nothing, separate art galleries, reviving the fresh new imaginative sectors in the Lublin, Wroclaw, Torun), obviously made your a guy reputation out from main-stream. His characteristics isn’t even decreased because of the undeniable fact that the guy cooperated on the defense properties, what he informed me towards desire to identify them the newest state-of-the-art procedure in this artwork progression. Regarding blog post Performative mythology. Regarding Jerzy Ludwinski’s curatorial steps Piotr Lisowski underlined Ludwinski’s thought radicalism and his prophetic ideas: “His really works behavior has long been characterised because of the ephemerality and you will a particular version of nomadism. It was mainly determined by the latest 
critic’s bio and myth: a good vagabond for the pants, hitchhiking of a symposium so you’re able to symposium, of a studying to a discovering, just who receive very important speaking of artwork”. Gamble, processual thought, dialoguing, blurring boundaries, nomadism, and you may a great visionary ideas generated Ludwinski a weird profile, position from simple labelling and you can translation systems.
A similar year Ludwinski moved to Wroclaw where he exhibited this new thought of the modern Artwork Museum – an establishment which will evaluate and file currents graphic situations; getting art’s “sensitive and painful seismograph” as well as catalyser. The fresh expansion from the layout is actually the thought of an effective “game’s museum”, which had been led because of the a musician, critic (and you will curator), therefore the listeners, permitting all the functions so you’re able to negotiate the meanings out of authored functions. Below Mona Lisa Gallery – as modest gallery on the Worldwide Drive and you may Books’ Club’s (IPBC) hall are informally entitled – try an attempt to materialise those ideas on the limited resource and you will exposition possibilities. It provoked genuine, not routinized, talk on the modern-day artwork. The expo are preceded of the discussion away from an artist and a beneficial curator, penned regarding “Odra” magazine, and you can finished with a community discussion. One of the most important events on Lower than Mona Lisa Gallery is actually the fresh new Terminology ways for the 1970 – an exposition from inside the a form of text and you may files about outside working area into the Osieki throughout the exact same year. It had been in the Osieki where Ludwinski presented his greatest report Post-aesthetic artwork (published afterwards lower than a slightly altered label Art for the a post-artistic epoch), hence revealed next levels away from art evolution; each other people mode for the past (out-of an item to help you space) and those that was in fact yet ahead. The ending area is specified since the dispersion, and consolidating of one’s art and reality.